What happens when a horsemad Ould Wagon moves from Cork to Provence with 2 horses, 2 dogs and a Long Suffering Husband? Why, she gets a third dog, discovers Natural Horsemanship à la Française, starts writing short stories and then discovers a long-buried talent for art, of course…
(Wordy post. Not many photos because poor LSH had to leave early to catch a flight)
I mentioned last week that I should have been doing an Equifeel competition on Sunday and that it had been rained off. It wasn’t just rained off – both arenas were badly damaged by the torrential downpours and it was touch and go whether they would be usable or not.
As soon as the rain stopped and the water drained off, Team Pimayon swung into action and managed to transform this
into this
in two days.
Still a wee bit stony, but at least now the sand has been redistributed and fluffed up so that there is some ‘give’ in it.
On Friday evening and Saturday afternoon, we all pitched in and set up the course for Sunday. This also meant that we had a sneaky chance to try things out with our equines – that’s what I call a Home Advantage! On Saturday, I also did a ‘dress rehearsal’ with the matching headgear I had bought for Aero and me. This is our Championnats de France gear :
Seriously, I needed to make sure I could persuade the headpiece of the halter to pass through the very tiny crocheted holes in the fly-bonnet, otherwise there was no way it would stay on. I could and it did. So for the Championnats, my plan is the red hats and black clothes for me, so I more or less match him. I just need to get a light pair of black jodhs now.
Enough style commentary. How did the competition go? Pretty damn not bad, actually! I’ll go through it, atelier by atelier. NB there is a time allowed for everything. Exceed the time allowed and you get a big, fat zero. This is relevant.
Atelier #1. Le Van. The Trailer. For 10 points, load horse and make him stand for 10 seconds before backing him out again. For 15 points, do the same except with the lead rope attached via a light elastic, so you can’t actually pull the horse in. For 20 points, do it at liberty. Oh, and you’re not allowed to touch the horse, either with the hand or the whip, apart from when you’re trying to get him to stand still for 10 seconds, when you’re allowed to caress him to encourage him to stay with you. Otherwise, each touch is -2. This applies across the board in Equifeel – you lose 2 points every time the horse is touched.
Well, Aero can be sticky going in sometimes. I stayed safe and went for 10 points and scored it easily.
You will notice I had a second Home Advantage. That’s my trailer. However, later in the day, a certain big, black and beautiful lady by the name of Simone did this to the ramp :
So unfortunately I now need a new ramp. Sigh.
Atelier #2. Le Trèfle a Quatre feuilles. The four-leafed clover. I figured we could do this at liberty, so I opted for the 20 point contract. Aero got a little distracted by some poop on the ground, but I got him back again and carried on… Unfortunately, I thought it was Le Trèfle, so I stopped in the centre, all happy with myself after running around three of the leafs. The judge looked at me aghast and said “C’est le trèfle a quatre feuilles, il y en a un autre!” You get the idea. I ran like the clappers, with Aero following me pretty well, we looped around the remaining block and came back to the centre – too late. Zero points. Oops. Note to self – read the course description!
Atelier #3. Le Licol. The Headcollar. We’re good at this. I opted for the 20 point contract.
I’m not lying, that went well.
Atelier #4. Saute á longe. Jump on the lunge. Complicated set-up here. There’s a circle marked out on the ground – the handler’s zone. The handler is not allowed out of this and the horse is not allowed into it. Two jumps are set up; one 1metre away from the handler’s zone and the other 4metres away. There was a little confusion here, the guy who was judging this thought the horse had to be at liberty for the twenty point contract. I was tempted. Aero was in Happy Bunny jumping form in the warm-up.
I looked at the large square in which the atelier was set up and thought no, that ain’t gonna work with Aero loose, so I opted for the 15 point contract. Aero had to jump the closer jump twice; once from each side. In other words, jump – turn – jump. On the lunge. In case you missed that at the start. It’s important.
He did it really well, but came precariously close to my zone when he stopped. Got away with it though, phew. 15 points in the bag… or was it…
Atelier #5. Essui-Glace. Windshield Wiper, literally. But it’s just jumping back and forth over one jump, exactly as we had just done, except the handler is confined to a much smaller zone. I was confident. We’d just had a practice run, after all. I opted for the 20 point contract – at liberty.
Off Aero went. And he got stuck in the corner. And when I finally got him out, he went in the wrong direction, but I sent him on anyway. He jumped and then went WAHOOOOEY!!! when I asked him to turn. Frankly, he was just being an ass. Eventually, I turned him and got him over the jump from the other side. But we were five seconds over the time. Zero scored. Yes, I was a bit disappointed. We should have done that in our sleep.
As we were leaving Atelier #5, the guy at Atelier #4 called me back. He had been mistaken, he said. For the 20 point contract, the horse should be on the lunge. I could come back and do it again if I wanted. I hummed and hawed, but he and MC both said I should do it. What did I have to lose? Well, 15 points, obviously…
Anyway, we were persuaded to give it another go. For 20 points, Aero had to jump the further away jump, turn and jump it again. I presented him to the jump and he went “HAHAHAHA” and ducked inside it. He does that sometimes. Then he continued on his merry way, jumping the nearer jump en route. Was that elimination? I wondered. It would be in the world of show-jumping… He jumped the correct jump next time he met it, went WAHOOOOEY!!! again and careened around a couple of times before I could turn him, jumping or not jumping whatever he met along the way. At this point I had mentally waved goodbye to our 20 points and I was focussing on making it into a learning experience for both of us. I finally stopped and turned him (By lowering my energy levels. Take note, Martine, when horse’s energy is UP lower your own…) and he popped over the jump, but was still a bit difficult to stop and turn. Normally he’s Gold at that – see Atelier #9 for proof – but his blood was up and I was panicking about stopping him before I ran out of time.
The guy judging had no idea what to do. He said it was possibly two -2 penalties for not jumping the jump when he was presented to it, but he would check with Le Chef (Alexandrine). Long story short, we went from 15 points to 16. But I guess I learned something along the way.
Atelier #6. Le Pivot. Turn on the haunches. The horse’s hind feet must stay inside a circle drawn on the ground while his front feet move around in a circle. We are sooooo not good at this. I opted for the 10 point contract where the horse just has to make a quarter turn. Even so, he popped a foot out of the circle twice. Only 6 points. It looked like this was not going to be our day at all.
Atelier #7. Deplacement Lateral. Sidepass. This is one of our strong suits. I opted for 20 points, where he had to do it at liberty. He was slightly distracted and stepped over the pole once, for a -2. Still, 18 points is a good score!
Atelier #8. Le Double. Yes. The Double. Two jumps are set up in a line, with three or four strides between them. There are three lines drawn on the ground alongside the jumps, the first one is right beside the jumps, the second is 1.5 metres away and the third is 3 – 4 metres away. The horse is always on a lunge line, whatever contract you go for. For 10 points, the handler runs alongside the horse as he goes over the jumps. For 15 points, he/she stays behind the line that’s 1.5 metres away from the jumps and for 20 points, he/she stays behind the furthest line. I dithered for a moment, before deciding that I’d chance the 15 point contract to try to make up some of my lost ground.
Aero popped neatly down the line. Then you must return to the point form which you started, but Aero thought he was meant to turn and go back down through the jumps again. Fair enough, he’d just done that three times in quick succession. A couple of moments of confusion ensued. I was convinced that if he entered my ‘zone’, we’d be eliminated so I was a bit panicky about sending him out away from me and he had no idea what I wanted. The guy judging yelled at me that it didn’t matter where he went, just get back to the start, so we ran back, with him following at a distance. Yes, he was being towed at the end of the lunge. Not very Natural Horsemanship at all! But we got there and we got our 15 points. Phew!
Atelier #9. Transitions. That’s the same in English. This is done with the horse at liberty, in a round pen. We were lucky to be doing this at all, considering that our round pen looked like this five days before!
Anyway, there’s a 5 metre square transition zone marked with blocks or cones beside the arena fence. The horse has to make his transitions inside that zone. So for the 20 point contract (yes, that’s what I went for) Aero had to enter the zone in trot and then HALT inside the zone. I said it above – he was GOLD. Perfect. Another 20 points.
Atelier #10. Les Embûches. I’m still not sure how best to translate this. The conundrums? There are three little obstacles to negotiate; a jump, a narrow gap between two barrels and ground poles. The previous day, I wasn’t going to practice this because he’s usually good it. But MC had insisted that I do it… and she was right. The first thing Aero did that day was stop inside the gate and start eating grass. I’m afraid he had to receive a little tap with the stick to get him moving, and then he was in a huff and silly. It was not good at all and I was glad MC had made me do it.
But on competition day, he made up for it. Bish bash bosh. Job done. 30 seconds. 20 points.
So where did we finish up? Beforehand, everyone was quietly assuming it would be MC and me, first and second, in whichever order. With my two big fat zeroes, I figured I would be well out of the running and MC would have it all to herself. However, a newbie had arrived on the scene. She’s done a lot of Parelli work with her horse – Alexandrine had met her somewhere and had convinced her to come along. Despite nerves (first time ever competing) she and her horse were superb. They gave MC and Quieto a run for their money, by coming a close second, just a couple of points behind them. Aero and I were third, roughly forty points behind, with the person in fourth only a couple of points behind us. And, as a bonus, we were also joint second in the Alpes de Haute Provence Equifeel challenge – a league which I didn’t know was running.
In the Elite class, it’s usually between MC and Alexandrine at the top. MC and Quieto had gone very well; Alex and Max had a couple of blips. But the newbie did the elite class as well… and she won it!! WOW! What a first day! It’s brilliant to see more and more people taking to Equifeel, it’s a real fun day out with your horse.
I’m really pleased with how far Aero and I have come since last year. Last year, I was being brave attempting four ateliers for 15 points – all the rest were 10 point contracts. This year, I attempted seven ateliers for 20 points, 1 for 15 and just two for 10. The two zeroes… well, one was a RTFM issue, the other was Aero just being a horse. That’s part of the charm of Equifeel – you define how many points you’re going for before you start. It’s a bit of a gamble, but it keeps it interesting!
Roll on the Championnat de France on the 18th July!
The LSH has never liked performing animals, so I was surprised when he gave me two tickets to a Spectacle Equestre for our recent anniversary. Apparently there was a new Salon de Cheval taking place in Marseille, with a Gala performance in the evenings. Cool! Trade stands, general horse stuff – I could spend the whole afternoon there working hard on not spending any money! I offered to take someone else along with me but no, he gritted his teeth and resolutely said he would accompany me. Fair play to him.
Then the Regional Equifeel Championships were rained off the previous weekend and deferred to the Sunday of the Salon de Cheval. Help was needed on Saturday afternoon to set up the Equifeel ‘course’, so I said “Never mind, it’ll be easier not to spend money at all those trade stands if I’m not there. We’ll just go to the Spectacle in the evening.” Which, from what I’ve read on this Facebook page, is just as well. It seems there was not much to see at this particular Salon de Cheval. (PS That Facebook page may have disappeared. It was called ‘For the victims of the international Salon de Cheval at Marseille’ and they’ve been threatened with legal action by the organiser of the Salon.)
Friday evening and Saturday afternoon were spent setting things up and practising for Equifeel – that’ll be in the next blog post. At 8.30pm on Saturday evening, we were settling ourselves into the Palais de Sports in Marseille. It’s a pretty big amphitheatre, with seating for more than seven thousand. Was the fact that there were only about 500 people present a bad sign? Hmm…
After a fifteen minute delay, the show kicked off with this guy.
He did a lot of sideways stuff with his horse in walk first. Maybe to try to reduce the amount of tension his horse was displaying. When he trotted, I cringed – the horse’s trot was just awful – shuffly, short and losing rhythm. He might have gotten a 5 for it in a dressage test – if the judge was in a good mood. Unsurprisingly, whenever he tried to do anything in trot – sideways or even just extending the trot – the horse lost its rhythm and its forward movement, or else it threw in a step or two of canter.
The French are mad for Spanish walk, so of course that was shown. It’s very impressive, but once again this horse couldn’t keep any sort of a rhythm going. He’d throw a leg out dramatically and then take a couple of short, hoppy steps before throwing out the other leg.
There was some whizzing around in canter to make the crowd go Oooooh…
…followed by making the horse kick out…
…and rear. Yes, two things every rider wants their horse to learn.
I’m happy to try to figure out Spanish walk, but rearing and lashing out are not on my horses’ curriculum!
Anyway, he finished with a bow and a smile and the crowd all clapped politely.
The next act came in as he left – two Camargue Gardiens, all decked out in their Gardien gear.
The horse in the foreground really, really didn’t want to be there. I felt sorry for his rider, he was clearly sitting on a ticking bomb and sure enough the horse tanked off and whizzed sideways with him multiple times. He kept the horses head clamped down tight with that big curb shank 😦 My kind husband-photographer didn’t capture any of his Whoops! moments and actually, I’m glad, as they weren’t pretty and I was feeling sorry for the little horse. And for his rider, who was not having a good day.
I have to admit that I didn’t realise it at the time, but Camargue horses can have a running trot, something like a Paso Fino. As a result, I was looking at these guys and thinking “Holy Crap, can none of these horses trot?” as they ran around with a four-beat trot.
Both horses waltzed around each other a bit and they did some funky stuff with their poles but it was all a bit amateurish, to be honest. I was hoping things would improve because, otherwise, there was a fair chance we’d be leaving early.
Ok, next in was a Pas de Deux. They looked promising as they trotted side by side down the centreline, but things went pear-shaped as soon as they asked the horses to pass anywhere near the audience. It looked to me like neither horse had ever done a show like this before and they were terrified by the crowd. All I can say is thank goodness the hall wasn’t full. And at this stage, I was thinking we’d be home early for sure.
When we saw the next one coming in, we both had the same thought – she looked like she was on the way to her wedding. Irish and English readers will understand. Anyone else should Google ‘gypsy wedding.’
Oh look, Spanish walk again! There are only so many movements you can ask a horse to do under saddle, I believe Spanish walk is easy enough to teach and it looks flashy. I can see why they all do it.
But there was something different about this combination. It seemed to be more of a partnership, with the horse trying a lot harder and the rider forcing a lot less. They did some nice half-pass work and some pretty changes in canter.
Next in, we had the Spanish equivalent of Gardiens – vaqueros? Correct me if I’m wrong please! Things were definitely looking up – these guys were good. Although, like the Gardiens, I thought they were a bit rough on their horses, with the exception of one rider – the only girl on the team.
They did some amazing things with their poles, pirouetting underneath them with deceptive ease.
They finished up galloping around a circle with all four abreast. Not easy, and very impressive as the outside horse galloped flat out and the inside horse basically spun on the spot.
They left the arena and a lone grey stallion came galloping in all by himself and all the kids in the audience went “Oooh il est magnifique!” Then the stallion stopped to sniff at some poop on the ground and did his level best to cover it up, so all the kids went “Ewwww” instead of “Oooh.”
The trainer appeared through the curtains and cracked his whip a few times to get the horse’s attention which wasn’t easy – the poop was far more interesting. This horse seemed to only have one trick – he zig-zagged back and forth in front of the trainer like a border collie in front of a sheep, or a quarter horse in front of a cow. It did nothing for me. To me it just looked like an angry horse who had been whacked with the stick to get him to hop from side to side. Maybe I’m doing the trainer a disservice, though, because the rest of his horses didn’t have that ‘angry’ air.

The stallion went out and two dun horses came in to work with the same trainer. They did their stuff – circling around, ‘stay’ and recall (Hey! I can do both of those with my horses when I work them together!), Spanish walk (raises eyes to heaven), and a bit of rearing on command. Yup, all becoming a bit samey now… but these guys definitely had a different attitude to the trainer. There was a bit of cuteness there :
So, two dun horses is a win-win scenario as far as I’m concerned. What could be better than that? How about three dun horses?
Or better still, six dun horses?
I was beginning to think that there was a real Connemara look to these guys… When the didely-eye (sheesh, how do you spell that?) music came on I realised that that’s what they were! No wonder I liked the look of them!
There was a definite change in the quality of the show at this stage, which had started with the ‘Gypsy wedding’ girl. It was much more professional, much more polished and the horses had all clearly been doing this for some time. It turns out that the main part of the show was presented by one family group, Hasta Luego. They’re based in Nîmes and have been doing this for 30 years now. No wonder they seemed professional and polished. They present shows all summer long at their home base : 
And from reading their website, I’ve learned that the French name for this genre of horsemanship is l’Art Equestre – Equestrian Performing Arts would be a nice way to put it in English.
You can take it that things stayed good for the rest of the show. Sure, there was a lot more Spanish walk and rearing, but it was well presented. This lady came in side-saddle and did some dressagey stuff of course – walk, trot, canter, sideways stuff, changes. Then she… well… yeah…
After a while, she stopped and took the bridle off, riding with just a cordelette. Would she run through the same repertoire? Um, no. She stuck to walk. This kind of walk.
And rearing.
Then she dismounted and – OH! Look! Spanish walk!
I suspect he’s an old horse – his trot seemed a little stiff. Maybe all the rearing is taking its toll 😦 But it was plain to see that they had a nice relationship.
I’m like 80% of the way towards getting Aero to lie down like this. I WILL get there!
Aside : I would probably have found her cordelette work more impressive if I did not keep my horses somewhere where this kind of thing happens on a regular basis :
The tempo changed with the next act.
Super-energetic and super-brave.
They really got the crowd going. So I just didn’t ‘get’ the next act. Girl in floaty sea-green outfit with reins attached to her belt comes in and wafts around on grey horse to the strains of ‘My Heart will go on.’
Maybe she was just there to give the other kids a breather after their vaulting performance, because she was followed by one of the vaulting boys, on a Haute Ecole type horse.
There was some more Spanish Riding School type stuff…
performed by horses who seemed to be literally One Trick Ponies, because I don’t think they had any other rôle in the show.
I could be wrong – maybe that’s the same grey that the lady rode side-saddle?
This pony had two tricks – he reared…
…and he sat down. The perfect kids’ pony?
I have to say, I don’t like all the rearing and walking on hind legs. All I could think of were the horses’ hocks – they are not designed to take all of that weight at such an unnatural angle. And I wonder just how long a working career these guys have. Don’t get me wrong, I don’t think there’s any abuse going on here. Well, no more than in any other horse industry – breaking and galloping TB yearling springs to mind. But it’s not for me. I enjoyed most of their show (Spanish Walk and all!) but this stuff had me cringing.
The last act was another girl who was on her way to a wedding. Aw, but it’s a really pretty dress! And I love how it matches her tattoo!
The high spot of her act was this :
It was certainly impressive! The French lady beside me nearly lost her life the first time it happened, and she made a good attempt at breaking the record for how many times you can put ‘La” after the word Oooh. At least eight. Oooh-la-la-la-la-la-la-la-la. Her daughters were in hysterics beside her.
All the performers came in for a curtain call and that was it. Show over. Despite its shaky start, I did enjoy it.
Brave LSH for sitting through it with me.
PS This EXTREMELY photo-heavy post is brought to you thanks to the LSH’s photographic skills.

